Ron Arad For Kenzo

This beautiful sculpture just happens to also be a perfume bottle.

Now available in selected Kenzo boutiques, Industrial Designer Ron Arad has designed his first perfume flask for the French fragrance makers – and once again unconventionally toyed with shapes and technology. The bottle has an ergonomic form, twisting in the shape of a figure of eight, something emphasized by fine lines. It is made of a Zamac alloy and polished by hand. The unidentifiable and nameless fragrance, akin to the scent of skin, was created by French parfumeur Aurélien Guichard. The fragrance will be produced as a limited edition of 2,000.

Ron Arad’s constant experimentation with the use of possibilities of materials such as steel, aluminium or polyamide and his radical re-conception of form and structure has put him at the forefront of contemporary design. Alongside his limited edition studio work, Arad designs for many leading international companies including Kartell, Vitra, Moroso, Fiam, Driade, Alessi, Cappellini, Cassina and Magis among others.

Ron Arad For Kenzo

This beautiful sculpture just happens to also be a perfume bottle.

Now available in selected Kenzo boutiques, Industrial Designer Ron Arad has designed his first perfume flask for the French fragrance makers – and once again unconventionally toyed with shapes and technology. The bottle has an ergonomic form, twisting in the shape of a figure of eight, something emphasized by fine lines. It is made of a Zamac alloy and polished by hand. The unidentifiable and nameless fragrance, akin to the scent of skin, was created by French parfumeur Aurélien Guichard. The fragrance will be produced as a limited edition of 2,000.

Ron Arad’s constant experimentation with the use of possibilities of materials such as steel, aluminium or polyamide and his radical re-conception of form and structure has put him at the forefront of contemporary design. Alongside his limited edition studio work, Arad designs for many leading international companies including Kartell, Vitra, Moroso, Fiam, Driade, Alessi, Cappellini, Cassina and Magis among others.

Before Photoshop - Barbara Kruger

In the old days before digital photography and Photoshop were able to transform everybody and anything in something else (i.e. -Shepard Fairey's "Obey" or "Hope" posters,") art directors would have legions of staffers doing nothing but things called paste-ups: actual physically manipulated cut and pasted images they would then photograph until they got it right.

Barbara Kruger has been in our faces for years, and her graphic imagery has become a default for the commercial advertising industry (she was once a Mademoiselle magazine art director). Her exhibition of "smalls" done the old-fashioned way: forty four images, all but two black and white, none larger than 11 X 14, framed simply in black at the Skarstedt Gallery has been called Pre-digital only because they feared nobody would know what a paste up even was anymore.

Much of Barbara Kruger's graphic work consists of black-and-white photographs with overlaid captions set in white-on-red Futura Bold Oblique. The phrases included in her work are usually declarative, and make common use of such pronouns as "you", "I", "we", and "they". The juxtaposition of Kruger's imagery with text containing criticism of sexism and the circulation of power within cultures is a recurring motif in the work. The text in her work of the 1980s includes such phrases as "Your comfort is my silence" (1981), "you invest in the divinity of the masterpiece" (1982), and "I shop therefore I am" (1987). She has said that "I work with pictures and words because they have the ability to determine who we are and who we aren’t." Enveloping the viewer with the seductions of direct address, her work is consistently about the kindnesses and brutalities of social life: about how we are to one another.

She layers found photographs from existing sources with pithy and aggressive text that involves the viewer in the struggle for power and control that her captions speak to. In their trademark black letters against a slash of red background, some of her instantly recognizable slogans read “I shop therefore I am,” and “Your body is a battleground." Much of her text questions the viewer about feminism, classicism, consumerism, and individual autonomy and desire, although her black-and-white images are culled from the mainstream magazines that sell the very ideas she is disputing.


-S

Before Photoshop - Barbara Kruger

In the old days before digital photography and Photoshop were able to transform everybody and anything in something else (i.e. -Shepard Fairey's "Obey" or "Hope" posters,") art directors would have legions of staffers doing nothing but things called paste-ups: actual physically manipulated cut and pasted images they would then photograph until they got it right.

Barbara Kruger has been in our faces for years, and her graphic imagery has become a default for the commercial advertising industry (she was once a Mademoiselle magazine art director). Her exhibition of "smalls" done the old-fashioned way: forty four images, all but two black and white, none larger than 11 X 14, framed simply in black at the Skarstedt Gallery has been called Pre-digital only because they feared nobody would know what a paste up even was anymore.

Much of Barbara Kruger's graphic work consists of black-and-white photographs with overlaid captions set in white-on-red Futura Bold Oblique. The phrases included in her work are usually declarative, and make common use of such pronouns as "you", "I", "we", and "they". The juxtaposition of Kruger's imagery with text containing criticism of sexism and the circulation of power within cultures is a recurring motif in the work. The text in her work of the 1980s includes such phrases as "Your comfort is my silence" (1981), "you invest in the divinity of the masterpiece" (1982), and "I shop therefore I am" (1987). She has said that "I work with pictures and words because they have the ability to determine who we are and who we aren’t." Enveloping the viewer with the seductions of direct address, her work is consistently about the kindnesses and brutalities of social life: about how we are to one another.

She layers found photographs from existing sources with pithy and aggressive text that involves the viewer in the struggle for power and control that her captions speak to. In their trademark black letters against a slash of red background, some of her instantly recognizable slogans read “I shop therefore I am,” and “Your body is a battleground." Much of her text questions the viewer about feminism, classicism, consumerism, and individual autonomy and desire, although her black-and-white images are culled from the mainstream magazines that sell the very ideas she is disputing.


-S

Cynthia Lawrence John

www.cynthialawrencejohn.com

Cynthia Lawrence John

www.cynthialawrencejohn.com

KAI KÜHNE — Tell Me Lais

Tell me Lais from Purple Magazine on Vimeo.

Video directed by Alex Freund. Music - M.I.A. - Birdflu Guns Up Buraka

KAI KÜHNE — Tell Me Lais

Tell me Lais from Purple Magazine on Vimeo.

Video directed by Alex Freund. Music - M.I.A. - Birdflu Guns Up Buraka

WWOZD? Oliver Zahm

Olivier Zahm - A Founder & Editor for Purple Magazine discusses fashion, style, and inspiration. He also has a photo DIARY that I enjoy very much.

WHAT I’M WEARING NOW An Yves Saint Laurent leather jacket and ostrich boots, American Apparel jeans and a vintage Christian Dior shirt. I buy a lot of these T-shirts from Eleven on Elizabeth Street. They feel sweet against the skin. My watch is a Seiko from the ’80s. It looks like a gold Rolex, which I can’t afford yet. The glasses are Ray-Ban. I have five pairs, all in different shades of amber. I love amber. It’s a beautiful color for men. The only perfume I wear is because of its amber color — Azzaro, which is an old cheap cologne for workers.

STYLE CREDO To me, the best time for men was in the ’70s. I would love to look like Polanski or Jack Nicholson back then, the way they wore their jeans with just a shirt, a good watch, glasses and a nice white jacket. It was simple, but really sexy. At the beginning of this decade all the men got very glamorous. They started buying a lot of clothes. Me, I don’t like it. When you notice clothing on a man, I find it suspicious.

ON INSPIRATION Nothing is more inspiring than love and true sexuality. People say my magazine is very provocative or transgressive. Not at all. If there is nudity and sex, it is not to provoke, it is to show the beauty and love. In the next issue, I have the artist Dash Snow wearing women’s clothes from the fall collections. To see a beautiful man like Dash, who for me is American aristocracy— this is inspiring. - via thefashionspot.com

WWOZD? Oliver Zahm

Olivier Zahm - A Founder & Editor for Purple Magazine discusses fashion, style, and inspiration. He also has a photo DIARY that I enjoy very much.

WHAT I’M WEARING NOW An Yves Saint Laurent leather jacket and ostrich boots, American Apparel jeans and a vintage Christian Dior shirt. I buy a lot of these T-shirts from Eleven on Elizabeth Street. They feel sweet against the skin. My watch is a Seiko from the ’80s. It looks like a gold Rolex, which I can’t afford yet. The glasses are Ray-Ban. I have five pairs, all in different shades of amber. I love amber. It’s a beautiful color for men. The only perfume I wear is because of its amber color — Azzaro, which is an old cheap cologne for workers.

STYLE CREDO To me, the best time for men was in the ’70s. I would love to look like Polanski or Jack Nicholson back then, the way they wore their jeans with just a shirt, a good watch, glasses and a nice white jacket. It was simple, but really sexy. At the beginning of this decade all the men got very glamorous. They started buying a lot of clothes. Me, I don’t like it. When you notice clothing on a man, I find it suspicious.

ON INSPIRATION Nothing is more inspiring than love and true sexuality. People say my magazine is very provocative or transgressive. Not at all. If there is nudity and sex, it is not to provoke, it is to show the beauty and love. In the next issue, I have the artist Dash Snow wearing women’s clothes from the fall collections. To see a beautiful man like Dash, who for me is American aristocracy— this is inspiring. - via thefashionspot.com

Power In Buildings

I picked up an amazing book over the weekend called "Power In Buildings", and it got me interested in the author, Hugh Ferriss. The book is Ferriss's personal odyssey through the modern architecture of America from 1929 to 1953...Dams, bridge anchorages, grain elevators, skyscraper projects, and viaducts are delineated in Ferriss's rich work, and it's all pretty inspiring when you realize how influential his drawings have been on architecture, movies, and pop culture in general.

Hugh Ferriss (1889 – 1962) was an American delineator (one who creates perspective drawings of buildings) and architect. According to Daniel Okrent, Ferriss never designed a single noteworthy building, but after his death a colleague said he ‘influenced my generation of architects’ more than any other man. Ferriss also influenced popular culture, for example Gotham City (the setting for Batman) and Kerry Conran’s “Sky Captain and the World of Tomorrow”. “Just Imagine” (movie from 1930), strongly influenced by Hugh Ferriss’s book, Metropolis of Tomorrow (1929), takes the archetype vision of the future city as defined by a Manhattan-like skyline, and portrays it in all its beauty and majesty.

Hugh Ferriss Flickr Page

Power In Buildings

I picked up an amazing book over the weekend called "Power In Buildings", and it got me interested in the author, Hugh Ferriss. The book is Ferriss's personal odyssey through the modern architecture of America from 1929 to 1953...Dams, bridge anchorages, grain elevators, skyscraper projects, and viaducts are delineated in Ferriss's rich work, and it's all pretty inspiring when you realize how influential his drawings have been on architecture, movies, and pop culture in general.

Hugh Ferriss (1889 – 1962) was an American delineator (one who creates perspective drawings of buildings) and architect. According to Daniel Okrent, Ferriss never designed a single noteworthy building, but after his death a colleague said he ‘influenced my generation of architects’ more than any other man. Ferriss also influenced popular culture, for example Gotham City (the setting for Batman) and Kerry Conran’s “Sky Captain and the World of Tomorrow”. “Just Imagine” (movie from 1930), strongly influenced by Hugh Ferriss’s book, Metropolis of Tomorrow (1929), takes the archetype vision of the future city as defined by a Manhattan-like skyline, and portrays it in all its beauty and majesty.

Hugh Ferriss Flickr Page

Saturday Find: Armani Casa's Bach Bar

Reflecting the spirit of Armani's haute couture, the Armani Casa 2009 collection interprets the Art Deco period in a contemporary way with textural variety, a geometric sensibility and an affinity for a restrained palette, creating a point of view that is both consistent and connected. Imitating the movement of one of his pleated garments, Armani applies a glossy, pleated surface to the geometrically styled doors of the black lacquered Bach bar, finishing it with lobster-colored fabric.

Favorite Giorgio Armani quote: "The difference between style and fashion is quality."

www.armanicasa.com

Saturday Find: Armani Casa's Bach Bar

Reflecting the spirit of Armani's haute couture, the Armani Casa 2009 collection interprets the Art Deco period in a contemporary way with textural variety, a geometric sensibility and an affinity for a restrained palette, creating a point of view that is both consistent and connected. Imitating the movement of one of his pleated garments, Armani applies a glossy, pleated surface to the geometrically styled doors of the black lacquered Bach bar, finishing it with lobster-colored fabric.

Favorite Giorgio Armani quote: "The difference between style and fashion is quality."

www.armanicasa.com

Gay Talese: "Passeggiata"

Watch for his explanation of "passeggiata." It's the best!

Via goitaly.about.com -
Passeggiata: As evening falls and the harsh sun inches out of the your favorite piazza, an evening ritual is bound to begin, the Italian tradition of passeggiata, a gentle stroll (slow! think slow!) through the main streets of the old town, usually in the pedestrian zones in the centro storico, the historic center.

Italians tend to dress up for passeggiata, and tourists are usually easy to spot in their shorts and fanny packs. Older folks sit along the route, nursing a beer or a glass of wine in the bar, and watching for things to gossip about; la passeggiata is where new romances are on display as well as new shoes.

Passeggiata is especially popular on Sunday evenings. During the summer, some Italians even drive to nearby cities, the coast, or the lakes for a special passeggiata.

Gay Talese: "Passeggiata"

Watch for his explanation of "passeggiata." It's the best!

Via goitaly.about.com -
Passeggiata: As evening falls and the harsh sun inches out of the your favorite piazza, an evening ritual is bound to begin, the Italian tradition of passeggiata, a gentle stroll (slow! think slow!) through the main streets of the old town, usually in the pedestrian zones in the centro storico, the historic center.

Italians tend to dress up for passeggiata, and tourists are usually easy to spot in their shorts and fanny packs. Older folks sit along the route, nursing a beer or a glass of wine in the bar, and watching for things to gossip about; la passeggiata is where new romances are on display as well as new shoes.

Passeggiata is especially popular on Sunday evenings. During the summer, some Italians even drive to nearby cities, the coast, or the lakes for a special passeggiata.