Showing posts with label ARCHITECTURE. Show all posts
Showing posts with label ARCHITECTURE. Show all posts

Friday, May 30, 2008

The Sun-Blocker Search Continues...



THANKS TO MY WEBMATE DAVID FOR SENDING THESE NEW PICS (Taken near Melrose Place in West Hollywood).

Here at SEANYASHAR.COM, we are always on the search for new photos of sun-blocker walls. With so many different patterns, they're such an abundant source of inpiration for textile design. I'd love to see a whole collection of dresses or t-shirts created around all the different designs that these mid-century concrete blocks come in.

Fashion is rarely inspired by fashion itself. Mid-Century architecture just seems like a natural way to go.

-S

SYI: Check out the original entry about Sun-Blocker walls by clicking the link called SUN-BLOCKERS.

The Sun-Blocker Search Continues...



THANKS TO MY WEBMATE DAVID FOR SENDING THESE NEW PICS (Taken near Melrose Place in West Hollywood).

Here at SEANYASHAR.COM, we are always on the search for new photos of sun-blocker walls. With so many different patterns, they're such an abundant source of inpiration for textile design. I'd love to see a whole collection of dresses or t-shirts created around all the different designs that these mid-century concrete blocks come in.

Fashion is rarely inspired by fashion itself. Mid-Century architecture just seems like a natural way to go.

-S

SYI: Check out the original entry about Sun-Blocker walls by clicking the link called SUN-BLOCKERS.

Thursday, May 8, 2008

Sun-Blocker Walls




As you know, I love mid-century design and architecture. Being born and raised in L.A., it seems that the majority of homes were built in that period between the 50's and 60's (post-war, if you will). So, I grew up in a town filled with homes that express early ideas of what modern/the future should look like. A fascination grew.

Interestingly, most of these mid-century homes looked very similar to one another. As a backlash to anything ornate, the mid-century modern facade was prone to be simple in decoration. As the city grew to create suburbia in this era, street upon street of new modern homes looked like clones of one another.

As a youngster, I began to fix my attention on what I thought to be the most unique aspect of a mid-century modern facade.
I would walk past these homes and focus on the decorative concrete walls AKA "sun-blocker walls". A fascination with these walls still holds today. It seems that there are an infinite array of decorative concrete blocks from this era. To me, the sun-blocker walls are art... unique textiles worth highlighting.

With all that said, I'm thinking about finally putting together a book of my favorite "sun-blocker walls" in Los Angeles. The idea is to create an alternative to all the coffee table books about mid-century modern homes. This book will consist of only close-up pics of the sun-blocker walls, and it would highlight the textile design more than the actual home. The idea is also to get published, so what do you guys think? Is this a book that would interest you? Would you pick it up if you saw it on a coffee table?

-S

SYI- I found the pics for this blog entry online... there are much more amazing sun-blocker walls out there in the city. I need to take some snapshots and post them soon. Also, how does one get published?

Sun-Blocker Walls




As you know, I love mid-century design and architecture. Being born and raised in L.A., it seems that the majority of homes were built in that period between the 50's and 60's (post-war, if you will). So, I grew up in a town filled with homes that express early ideas of what modern/the future should look like. A fascination grew.

Interestingly, most of these mid-century homes looked very similar to one another. As a backlash to anything ornate, the mid-century modern facade was prone to be simple in decoration. As the city grew to create suburbia in this era, street upon street of new modern homes looked like clones of one another.

As a youngster, I began to fix my attention on what I thought to be the most unique aspect of a mid-century modern facade.
I would walk past these homes and focus on the decorative concrete walls AKA "sun-blocker walls". A fascination with these walls still holds today. It seems that there are an infinite array of decorative concrete blocks from this era. To me, the sun-blocker walls are art... unique textiles worth highlighting.

With all that said, I'm thinking about finally putting together a book of my favorite "sun-blocker walls" in Los Angeles. The idea is to create an alternative to all the coffee table books about mid-century modern homes. This book will consist of only close-up pics of the sun-blocker walls, and it would highlight the textile design more than the actual home. The idea is also to get published, so what do you guys think? Is this a book that would interest you? Would you pick it up if you saw it on a coffee table?

-S

SYI- I found the pics for this blog entry online... there are much more amazing sun-blocker walls out there in the city. I need to take some snapshots and post them soon. Also, how does one get published?

Tuesday, April 29, 2008

The Great Outdoors


Take a look at the award-winning Bloomframe balconies by Hofman Dujardin Architects. The Bloomframe balconies are window frames that can be pushed out to form exterior balconies, expanding your interior space to the outdoors.

"Apparently, the idea came about in response to the new-found popularity of balconies in Sweden."

The ingenious part about the Bloomframe balcony is that it can be added to existing buildings...not just for new buildings. So, virtually anyone can create outdoor space in an otherwise closed living quarter.

-S

The Great Outdoors


Take a look at the award-winning Bloomframe balconies by Hofman Dujardin Architects. The Bloomframe balconies are window frames that can be pushed out to form exterior balconies, expanding your interior space to the outdoors.

"Apparently, the idea came about in response to the new-found popularity of balconies in Sweden."

The ingenious part about the Bloomframe balcony is that it can be added to existing buildings...not just for new buildings. So, virtually anyone can create outdoor space in an otherwise closed living quarter.

-S

Sunday, March 23, 2008

YSL's Bottle Rocket

L'Homme, YSL


Torre Agbar, Barcelona Spain.

This sleek test tube is actually YSL's new starchitect-designed fragrance bottle. Torre Agbar architect Jean Nouvel is the designer, and from the looks of it, the Frenchman hasn't strayed too far from his tower-erecting formula. The limited-edition bottle is for the brand's popular Chinese-ginger-meets-citron-zest scent, L'Homme. "It's phallic, but then you turn it upside down and it's not," Nouvel said at last night's NYC launch. "I wanted it to be very ergonomic, so you can put it in your coat pocket." Nouvel also included a "sparkle of light" bobber (with an iridescent YSL logo) inside.

L'Homme Yves Saint Laurent available this May, $79.50, at yslbeautyus.com

YSL's Bottle Rocket

L'Homme, YSL


Torre Agbar, Barcelona Spain.

This sleek test tube is actually YSL's new starchitect-designed fragrance bottle. Torre Agbar architect Jean Nouvel is the designer, and from the looks of it, the Frenchman hasn't strayed too far from his tower-erecting formula. The limited-edition bottle is for the brand's popular Chinese-ginger-meets-citron-zest scent, L'Homme. "It's phallic, but then you turn it upside down and it's not," Nouvel said at last night's NYC launch. "I wanted it to be very ergonomic, so you can put it in your coat pocket." Nouvel also included a "sparkle of light" bobber (with an iridescent YSL logo) inside.

L'Homme Yves Saint Laurent available this May, $79.50, at yslbeautyus.com

Monday, January 28, 2008

A Facelift for Santa Monica Place


Originally & surprisingly designed by Frank Gehry, Santa Monica Place opened in 1980.

After two renovations in 1990 and 1996, this 557,000 square foot mall will officially close its doors on the 31st of January.

THE PLAN: Santa Monica Place will undergo a drastic transformation to become an outdoor shopping area. The space will be converted to an outdoor mall in order to better connect with shoppers on the adjacent Third Street Promenade. In addition to taking advantage of the area’s ocean views, the design will better reflect the interests of this unique community, as well as create a dynamic environment that makes the most of the urban, beachside setting.

I've heard plans for condos in the Santa Monica Place redevelopement, but nothing has been confirmed on the official website.

I've also heard that that the new shops will be geared toward that of designers and high end luxury brands. The mall will be very upscale.

The renderings for the new Santa Monica Place look amazing... check out the link below for a complete visual tour:

http://www.santamonicaplace.com/redevelopment/santamonicaplace/index3.html

-S

A Facelift for Santa Monica Place


Originally & surprisingly designed by Frank Gehry, Santa Monica Place opened in 1980.

After two renovations in 1990 and 1996, this 557,000 square foot mall will officially close its doors on the 31st of January.

THE PLAN: Santa Monica Place will undergo a drastic transformation to become an outdoor shopping area. The space will be converted to an outdoor mall in order to better connect with shoppers on the adjacent Third Street Promenade. In addition to taking advantage of the area’s ocean views, the design will better reflect the interests of this unique community, as well as create a dynamic environment that makes the most of the urban, beachside setting.

I've heard plans for condos in the Santa Monica Place redevelopement, but nothing has been confirmed on the official website.

I've also heard that that the new shops will be geared toward that of designers and high end luxury brands. The mall will be very upscale.

The renderings for the new Santa Monica Place look amazing... check out the link below for a complete visual tour:

http://www.santamonicaplace.com/redevelopment/santamonicaplace/index3.html

-S

Saturday, January 26, 2008

Marmol-Radziner PREFAB



Marmol-Radziner has listed their prototype for Marmol-Radziner's new Prefab Division which is located in Desert Hot Springs.

The list price is $1,850,000.

If you're looking for a summer home in the desert, this new collection of Prefab homes is the way to go.

Check out the Marmol-Radzinger Prefab website for the extra extra

http://www.marmolradzinerprefab.com

-S

Marmol-Radziner PREFAB



Marmol-Radziner has listed their prototype for Marmol-Radziner's new Prefab Division which is located in Desert Hot Springs.

The list price is $1,850,000.

If you're looking for a summer home in the desert, this new collection of Prefab homes is the way to go.

Check out the Marmol-Radzinger Prefab website for the extra extra

http://www.marmolradzinerprefab.com

-S

Friday, January 25, 2008

"The Family Brand"



One Big Family.
One Small House.
One Ambitious Dream of Urban Domestic Bliss.

From what I have heard, the story goes like this: The Alan's chose Architect Neil M. Denari to remodel their L.A. home after being inspired by what the architect did with the L.A. Eyeworks showroom on Beverly Blvd.

The concept for the redesign & 1000 sqft. addition of the Alan house is nothing short of INNOVATIVE: "Every Family Is A Unique Brand."

The result is a house that is not only aesthetically pleasing to the Alan's, but more importantly meets the unique needs of the family by focusing on family-brand attributes, strategy, and tactics. The Alan house is the perfect marriage of design forwardness + a sensitivity to family dynamics.

Check out the Alan House website @ http://web.mac.com/ericalan/iWeb/Site/Welcome.html ...I've never seen a website like this before, especially for a residential home.

-S

"The Family Brand"



One Big Family.
One Small House.
One Ambitious Dream of Urban Domestic Bliss.

From what I have heard, the story goes like this: The Alan's chose Architect Neil M. Denari to remodel their L.A. home after being inspired by what the architect did with the L.A. Eyeworks showroom on Beverly Blvd.

The concept for the redesign & 1000 sqft. addition of the Alan house is nothing short of INNOVATIVE: "Every Family Is A Unique Brand."

The result is a house that is not only aesthetically pleasing to the Alan's, but more importantly meets the unique needs of the family by focusing on family-brand attributes, strategy, and tactics. The Alan house is the perfect marriage of design forwardness + a sensitivity to family dynamics.

Check out the Alan House website @ http://web.mac.com/ericalan/iWeb/Site/Welcome.html ...I've never seen a website like this before, especially for a residential home.

-S

Monday, January 7, 2008

Same Guy: Eero Saarinen


Did you know that the famed mid-century "tulip chair" and the iconic St. Louis Arch were designed by the same guy?!

Eero Saarinen was one of the most prolific, unorthodox, and controversial masters of 20th-century architecture. Although his career was cut short by death at age 51 in 1961, Eero Saarinen was one of the most celebrated architects of his time, both at home and abroad.

In the postwar decades of what has been called “the American Century,” Saarinen helped create the international image of the United States with his designs for some of the most potent symbolic expressions of American identity such as St. Louis Gateway Arch (1948-64), General Motors Technical Center (1948-56), Detroit and TWA Terminal (1956-62) at New York's John F. Kennedy Airport

Quick note: The complete collection of Eero Saarinen's furniture designs are still in production by Knoll.com. Or, you can see the collection at any of the DWR showrooms in L.A. - DWR.com

Same Guy: Eero Saarinen


Did you know that the famed mid-century "tulip chair" and the iconic St. Louis Arch were designed by the same guy?!

Eero Saarinen was one of the most prolific, unorthodox, and controversial masters of 20th-century architecture. Although his career was cut short by death at age 51 in 1961, Eero Saarinen was one of the most celebrated architects of his time, both at home and abroad.

In the postwar decades of what has been called “the American Century,” Saarinen helped create the international image of the United States with his designs for some of the most potent symbolic expressions of American identity such as St. Louis Gateway Arch (1948-64), General Motors Technical Center (1948-56), Detroit and TWA Terminal (1956-62) at New York's John F. Kennedy Airport

Quick note: The complete collection of Eero Saarinen's furniture designs are still in production by Knoll.com. Or, you can see the collection at any of the DWR showrooms in L.A. - DWR.com

Innovator: Will Alsop




The Sharp Centre for Design by Will Alsop

Ontario College of Art & Design

100 McCaul Street

Toronto

Ontario Canada


Article from www.galinsky.com

Alsop Architects (Robbie/Young+Wright Architects - local architects) 2004.

The Sharp Centre for Design was built to accommodate an expansion of the Ontario College of Art & Design in downtown Toronto. The project was funded by the College, the Province of Ontario, and Rosalie and Isadore Sharp - the benefactors after whom the building is named. The building houses new art studios, lecture theaters, exhibit spaces, and faculty offices. It is the first building completed in North America by the English architect Will Alsop.


With the addition of the Sharp Centre for Design at the Ontario College of Art and Design, Will Alsop cleverly addresses the complicated notion of expansion in a dense urban setting with his soaring black and white box. The building stitches a connection between existing buildings while providing new space in the rectangular volume that proudly soars above. Organizing the rectangular block above the site allows the street level to become what promises to be a new and valuable civic space that can become an extension of the activities of the college. Still the building may be criticized for being somewhat exclusive, failing to offer a serious connection to the street. However regardless of this consideration one cannot help but believe that there is room in Toronto for this type of assertive expression.


Provocative, unconventional, hopeful, whimsical, and perhaps irreverent, the building is remarkable in the context of Toronto. As a winner of a 2004 RIBA Worldwide Award, the building was described as "courageous, bold and just a little insane."


Check out http://www.alsoparchitects.com to see all of Will Alsop's amazingly innovative architecture worldwide. His website is so inspiring.




Innovator: Will Alsop




The Sharp Centre for Design by Will Alsop

Ontario College of Art & Design

100 McCaul Street

Toronto

Ontario Canada


Article from www.galinsky.com

Alsop Architects (Robbie/Young+Wright Architects - local architects) 2004.

The Sharp Centre for Design was built to accommodate an expansion of the Ontario College of Art & Design in downtown Toronto. The project was funded by the College, the Province of Ontario, and Rosalie and Isadore Sharp - the benefactors after whom the building is named. The building houses new art studios, lecture theaters, exhibit spaces, and faculty offices. It is the first building completed in North America by the English architect Will Alsop.


With the addition of the Sharp Centre for Design at the Ontario College of Art and Design, Will Alsop cleverly addresses the complicated notion of expansion in a dense urban setting with his soaring black and white box. The building stitches a connection between existing buildings while providing new space in the rectangular volume that proudly soars above. Organizing the rectangular block above the site allows the street level to become what promises to be a new and valuable civic space that can become an extension of the activities of the college. Still the building may be criticized for being somewhat exclusive, failing to offer a serious connection to the street. However regardless of this consideration one cannot help but believe that there is room in Toronto for this type of assertive expression.


Provocative, unconventional, hopeful, whimsical, and perhaps irreverent, the building is remarkable in the context of Toronto. As a winner of a 2004 RIBA Worldwide Award, the building was described as "courageous, bold and just a little insane."


Check out http://www.alsoparchitects.com to see all of Will Alsop's amazingly innovative architecture worldwide. His website is so inspiring.




Saturday, December 22, 2007

The Kaufmann House




"Stunning pictures of the world famous Kaufmann Desert House in Palm Springs, CA which is expected to fetch more than $15,000,000 when it is sold as part of Christie's Post-War & Contemporary Art sale in May, 2008. Prepare to be flabbergasted by it's beauty even if you don't care for world class modernist architecture." - realestalker

FOR MORE PICTURES, CHECK OUT THE SLIDESHOW @:
www.nytimes.com/slideshow/2007/10/30/arts/20071031_KAUFMAN_SLIDESHOW_14.html

The Kaufmann House




"Stunning pictures of the world famous Kaufmann Desert House in Palm Springs, CA which is expected to fetch more than $15,000,000 when it is sold as part of Christie's Post-War & Contemporary Art sale in May, 2008. Prepare to be flabbergasted by it's beauty even if you don't care for world class modernist architecture." - realestalker

FOR MORE PICTURES, CHECK OUT THE SLIDESHOW @:
www.nytimes.com/slideshow/2007/10/30/arts/20071031_KAUFMAN_SLIDESHOW_14.html